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Malins Plaisirs: The critics

The music of Québec may well be the up and coming genre in North American music. More and more bands, it seems, are emerging from the region, playing music distinctive from its Cape Breton cousins, with a wonderful rhythmic flare propelled, quite literally, by dancing feet. For a three piece, Genticorum makes a very full and glorious noise, both instrumentally and vocally. Curiously, for all that they’re Francophone, a song like “Les Tisserands” would sound perfectly at home in English folk with its rough-and-ready harmonies and nicely raw fiddle work. Yet at the same time they’re capable of a light, tasty set of jigs and reels like “Méo Grain d’Or”, for example where fiddle and flute float around each other over the guitar. Mixing traditional and original compositions, the trio stands quite assuredly in the history of their region’s music. There’s a real lightness of touch throughout, and the feet work every bit as well as a rhythmic ground as the bodhran does for Irish music. And when they add a second pair on “Méthé Métis”, along with a second fiddle, there’s a swelling fullness in the music. The three voices of the trio work well together, whether singing together or in antiphonal phrases. All in all they have a compelling sound that retains its joy. This is a band that’s going to go places.
SING OUT!, Chris Nickson © 2005

Montreal power trio Genticorum, is a marvellous incarnation of the new tendency in trad-Quebec music. The milieu is unanimous about Genticorum: crooked tunes, twisted songs, random rhythms, previously unreleased repertoire, sometime Scandinavian inspiration, open chords, a small dose of trance in the dance, a sometimes airy groove, as good singers as musicians: the three members complete each other perfectly. All three are aggressive and folky at the same time, excellent in all phases of a harmonized song as in the most frenzied rhythms.
ICI, Yves Bernard © 2005

Genticorum has quickly become one of Québec’s favourite groups, regardless of the genre! Music lovers of all kinds have been waiting for this second recording and certainly no one will be disappointed. All the songs are traditional and were carefully chosen. Most of the instrumental tunes are originals from Pascal Gemme (fiddle). Guest artists include Claude Methé (fiddle) and Jean-François Bélanger (nickelharp). What strikes us the most about Genticorum is that they are all extraordinary singers and instrumentalists. Les malins plaisirs was recorded at the well-known studio du rang 4 in Joliette by André Marchand and Mark Busic.
Guy Bouchard, Thirty below © 2005

Their most recent album, Malins Plaisirs, is a pure delight characterized by frequent use of heartrending minor tones served up with a full-of-life drive, absolutely gripping and irresistible.

That it’s about the inflamed (rogueish) and cadenced voice, the rhythmic arrangements (striking on L’Avocatier and Le Tic tac du Moulin) or the sound texture of the flute-violin-guitar fusion, everything on the album is remarkable (without forgetting to emphasize the extreme quality of the sound recording of essential duo Marchand-Busic from Studio du Chemin 4 in Joliette); it breathes gracefully. The song Les Tisserands is at the top of the trad Quebec genre. The record of the summer.
Louis Cornellier, Le Devoir © 2005

With their sense of fun firmly intact, the three members of Genticorum take us on another trip through Quebec’s rich musical traditions. We are treated to some wonderful songs and ‘complaintes’, cracking sets of tunes, and some innovative instrumental touches, such as the nickelharpa on Bonnet d’âne and a bass-o-tronic backdrop to Cascou. As we’ve said so many times in these pages, there’s tons of young groups coming out of Quebec these days. Genticorum are one of the best.
PENGUIN EGGS, Richard Thornley © 2005

This trio combines the superb fiddling and compositional skills of Pascal Gemme, the spritely flute of Alexandre de Grosbois-Garand and the brilliant guitar work of Yann Falquet - who also plays with The McDades. Their instrumentals are remarkably complex and original - and brilliantly executed. Their songs, with glorious 3 part harmonies, tend to the ribald and amusing. Great music - and great fun!
Steve Edge, Rogue Folk Review © 2005

Part of their appeal (especially beyond their core audience) is their youthful vigour to the traditional fare. Their music is jarring or raw but rather warm and inviting. All of the instruments are very well-balanced and easy to hear. It sounds like they are playing right in your oh-so-large living room. Their CD artwork, which is a painting of an apple as a heart with a bite taken out seems to tell you that Genticorum are expressing themselves as artists and are not just tour guides through a musical museum of yesteryear.
Cameron Blades, World Rhythm Magazine © 2005

 

 

Le galarneau: The critics

Mirthful zipper songs like "Les Parties de Gregoire" and the namesake "Genticorum" will leave you smiling, while house-dance cloggers like "La Brunante" and raw-edged Cajunesque songs like "Le 25 de Mai" will get your feet moving.
Rob Weir, Sing Out

The musical quality of this trio is high… and no doubt "Le Galarneau" should be for all fans of French Québec music a welcome addition to their CD collection.
Michael Moll, FolkWorld

Their debut CD, Le Galarneau, is an auspicious recording which gets the toes tapping as soon as it starts.
Steve Edge, Rogue Folk Review

The group's complicity and dynamic energy has been growing ever since as demonstrated on this lively recording, whose sonority is surprising considering they are only a trio. They really have it in them! Genticorum's repertoire is essentially Québécois with a particular penchant for crooked tunes and songs. In addition to researching unusual repertoire, the trio integrates several original compositions inspired from the folk tradition. From the first time I listened to Le Galarneau, I was very impressed with the high quality of the instrumental pieces and songs, the interesting choice of repertoire and the Cd's impeccable production. They sound like a bunch of old pros filled with the incredible energy and liveliness of the new generation of folk musicians! Now we're talking tradition! Le Galarneau has been one of the best kept secrets in the Québec folk music scene and I highly recommend this recording. Let me know what you think... Although Genticorum's main interest is performing in concert, the group is also actively involved in Québec traditional dancing. Their particpation in numerous Québec and Breton style dance gatherings has contributed in helping the group forge their own sound. Genticorum clearly illustrates the vivacity of Québec traditional music today.The group loves sharing their passion for this music as much at home as abroad.
Guy Bouchard, Trente Sous Zéro © 2005

Their music has a striking depth and richness… [Le Galarneau] has an amazing cohesiveness, sense of humour, and maturity; essential listening for anyone interested in Canada’s most vital tradition.
Richard Thornley, Penguin Eggs

The excellent Le Galarneau is rich in sauce and spice…
Tony Montague, Penguin Eggs